Following two similar posts in a row here, this appeared on the Deliverance blog last night.
Creativity's gotta go somewhere. At least his posts are somewhat bike relevant.
(Cute kid.)
Jan 5, 2009
Familiar Manifestations of Other People's Cabin Fever.
Ha!
Following two similar posts in a row here, this appeared on the Deliverance blog last night.
Creativity's gotta go somewhere. At least his posts are somewhat bike relevant.
(Cute kid.)
Following two similar posts in a row here, this appeared on the Deliverance blog last night.
Creativity's gotta go somewhere. At least his posts are somewhat bike relevant.
(Cute kid.)
Jan 2, 2009
bilding.
As predicted, here's another tower of blocks, assembled over the course of a very lazy New Year's Day.
I didn't quite use up all the blocks in the bin. Perhaps the next one will be taller. It's pretty satisfying when the tower gets high enough that you can just stand and build at eye level.
I didn't quite use up all the blocks in the bin. Perhaps the next one will be taller. It's pretty satisfying when the tower gets high enough that you can just stand and build at eye level.
Dec 19, 2008
Snow day.
I liked my first tower better, but it fell down. That red triangle block in the bottom right was on top of the green rectangle but got knocked off while I was taking the picture, I guess.
There will probably be more of this stuff.
Lobsterspine = the Real Steven Hamilton?
The video below, reportedly edited by Steven Hamilton himself, has been viewed almost eight thousand times since its internet debut two days ago. Responses to the video on bmxboard, the Come Up, and T.V.O.'s Life? were split, tending either towards strong disappointment or strong enthusiasm. The comparisons to mid-90's LSD-influenced video producer Ells Bells seem absolutely appropriate.
There are eight more Hamilton-related videos from the same Youtube user, Lobsterspine, some of which are measurably easier to watch, and none with more than eighty views to date. These include parts one through four of some project called Inception 2. If I understand correctly, Inception was the name of Hamilton's high school video project.
Inception 2, part two. Trails down a fricken' gully like nothing I've ever seen! Where is this? I guess it goes without saying that footage of Ted Van Orman is always great.
Parenthetically, here's the only evidence of Inception 1's existence that I'm aware of:
It would appear that Lobsterspine is Hamilton's personal account, or that of someone close to him. I can't think of another pro whose mind is better suited to Youtube as a creative medium.
...
Related: The Complete Steven Hamilton Youtube Discography
There are eight more Hamilton-related videos from the same Youtube user, Lobsterspine, some of which are measurably easier to watch, and none with more than eighty views to date. These include parts one through four of some project called Inception 2. If I understand correctly, Inception was the name of Hamilton's high school video project.
Inception 2, part two. Trails down a fricken' gully like nothing I've ever seen! Where is this? I guess it goes without saying that footage of Ted Van Orman is always great.
Parenthetically, here's the only evidence of Inception 1's existence that I'm aware of:
It would appear that Lobsterspine is Hamilton's personal account, or that of someone close to him. I can't think of another pro whose mind is better suited to Youtube as a creative medium.
...
Related: The Complete Steven Hamilton Youtube Discography
Dec 14, 2008
Flashy
Cool post from the hard-working boys at Street Phire, detailing a clever, low-budget radio slave mod. A satisfying read, even though I've never shot with off-camera flashes. When user ingenuity trumps planned obsolescence, I always smile.
Also recommended: the Street Phire "My Bag" galleries, which document the contents of camera bags of different bike riding photographers and videographers. I like how Robin Hunter's particularly exhaustive bag check even mentions which items have Nikon or LowePro printed on them.
Reviewed: Four Corners by No Bikes
The No Bikes crew released Four Corners almost a year ago, and they're well into production of their next video, so it's fair to say this review comes a little late. Four Corners was already out of print when I first contacted Aaron, but he sent me a burned copy with a No Bikes sticker and a cover collaged from tourism brochures. Awesome.
Two trailers for Four Corners:
The trailers represent the video fairly well: solid riding from kids you've never heard of, riding spots you've never seen, peppered with the occasional pro throwing down burly moves at some familiar skatepark. For the record, that shot of Travis Sexmith's table air is one of my favorite clips from any video ever.
It's tastefully edited and well filmed and paints a fantastic portrait of the riding scene in Alaska. Good vibes. No bike throwing. I want to go there.
There's a ton of great trails footage, which kind of feels like the heart of the video and the scene, but nobody has brakes, and the dirt footage is balanced by equal parts street riding and park. (Way too much park footage, in my opinion, perhaps the result of trying to get a clip from every single rider in Alaska.) The highlight of the video for me was Matt Lindsey's part, self-filmed via tripod in what appears to be Russia or China or perhaps Hawaii??? It left me pleasantly baffled, seeing all the incredible communist architecture so unlike anything in the states, including axle-high ledges that might rouse Joe Tiseo from his grave.
Alaska bears no resemblance to California or NYC or any place in my mental catalog of bmx images, and yet there are kids there putting in work, and that's what I love about this dvd. Check this ancient Youtube gem. A comically rickety portable ramp, set in places that seem absolutely arbitrary, but not (apparently) as any sort of joke. I'm just so happy that it's all real.
Four Corners is chock full of this stuff. Watch the No Bikes blog for progress on their next video, which I have been told will document some of their wilderness riding excursions, which gets me really, really psyched. I invite you to hassle Aaron for a copy of Four Corners with a custom cover. I don't know if he'll say yes.
...
December 19 edit: updated with an excerpt from Aaron's response to this review:
One of the things I try to do with all my videos is be as inclusive as possible. Scene videos, to me, aren’t just putting together the best tricks from the best riders in town. Back in the day we always had local contests to bring people together; since video is the new medium that we “measure” people’s riding by, I think the scene video is often missed as a scene building tool. Videos give everyone something to work together on; I try to shoot with as many people as I can and get anyone involved in production who is interested in that kind of stuff. This year I got to plan three awesome trips to shoot for this video, and got to know more Alaskan bmxers, there’s really nothing else I could ask for from the process. So yeah, I was trying to film everyone in Alaska, glad you noticed….
Two trailers for Four Corners:
The trailers represent the video fairly well: solid riding from kids you've never heard of, riding spots you've never seen, peppered with the occasional pro throwing down burly moves at some familiar skatepark. For the record, that shot of Travis Sexmith's table air is one of my favorite clips from any video ever.
It's tastefully edited and well filmed and paints a fantastic portrait of the riding scene in Alaska. Good vibes. No bike throwing. I want to go there.
There's a ton of great trails footage, which kind of feels like the heart of the video and the scene, but nobody has brakes, and the dirt footage is balanced by equal parts street riding and park. (Way too much park footage, in my opinion, perhaps the result of trying to get a clip from every single rider in Alaska.) The highlight of the video for me was Matt Lindsey's part, self-filmed via tripod in what appears to be Russia or China or perhaps Hawaii??? It left me pleasantly baffled, seeing all the incredible communist architecture so unlike anything in the states, including axle-high ledges that might rouse Joe Tiseo from his grave.
Alaska bears no resemblance to California or NYC or any place in my mental catalog of bmx images, and yet there are kids there putting in work, and that's what I love about this dvd. Check this ancient Youtube gem. A comically rickety portable ramp, set in places that seem absolutely arbitrary, but not (apparently) as any sort of joke. I'm just so happy that it's all real.
Four Corners is chock full of this stuff. Watch the No Bikes blog for progress on their next video, which I have been told will document some of their wilderness riding excursions, which gets me really, really psyched. I invite you to hassle Aaron for a copy of Four Corners with a custom cover. I don't know if he'll say yes.
...
December 19 edit: updated with an excerpt from Aaron's response to this review:
One of the things I try to do with all my videos is be as inclusive as possible. Scene videos, to me, aren’t just putting together the best tricks from the best riders in town. Back in the day we always had local contests to bring people together; since video is the new medium that we “measure” people’s riding by, I think the scene video is often missed as a scene building tool. Videos give everyone something to work together on; I try to shoot with as many people as I can and get anyone involved in production who is interested in that kind of stuff. This year I got to plan three awesome trips to shoot for this video, and got to know more Alaskan bmxers, there’s really nothing else I could ask for from the process. So yeah, I was trying to film everyone in Alaska, glad you noticed….
We are very happy that Alaska is as unique as it is. There is plenty of stuff to ride up here, and even more to see and experience (where else can you ride trails after midnight). I wish more people would be curious enough to come up here. Rooftop and the Samurai guys had the right idea, but I don’t think they really found any of our spots. I would never want to come up here again if one quarter of the spots I rode was the Wasilla skatepark.
I made a trailer for the next video, but have to add some audio clips in with Steve before it’ll go online. Look for it in the next couple weeks. Ryan Hiebert has been working hard on the team video as well, so get pumped for that (if you haven’t been reading this blog for long, there will be a documentary about riding in Alaska and a team video featuring all of our friends from her, BC and anywhere else).
Pumped.
Nov 30, 2008
The dvd gets its first review. (And I respond.)
A million thanks to the NoBikes blog for their kind review of our video. Please go there and read it. Since someone has now finally voiced a public response to the video, I feel comfortable saying something about my own creative intentions.
St Louis, 2006. Photo by Atika Piff. The sub rail has since vanished.
My main goal with the project was to create a video with an authentic vibe that would not give the viewer a chance to get bored. From watching a million bike videos over the years (and a million skate, snowboard, inline, and motocross vids, too), I'd come to the conclusion that the videos with the most lasting appeal were not necessarily those with the most advanced riding and definitely not those that portrayed riders as thrillseeking rockstars.
My personal favorites showcase the personalities of the riders and what they put into their riding, not just their tricks set to music. Sometimes a rider's strong personality seems to be revealed through his riding, as with Steven Hamilton, Ralph Sinisi, Mike Aitken, Troy McMurray, Ian Schwartz, Jim Cielincki, Bob Scerbo, Vic Ayala, Jeremy Davis, Jimmy Levan, Lino, Charlie Crumlish, the Enns, or Taj, to name but a few. (It's no coincidence that these are all guys I feel I could get along with outside of bike riding.)
Other times, it's achieved through the tasteful choices of filmers and editors. I can't, for the life of me, fathom why, in 2008, a producer would choose to include footage of a rider flipping off the camera. It's not merely lame--it's a fake gesture that, in my opinion, reveals the rider's discomfort in front of the camera. And I think those moments make the viewer uncomfortable and ruin the possibility of a good vibe. (More rambling thoughts on flipping the bird in this old blog post from 2006.) That Aaron would say our video has an "excellent vibe" means the world to me.
Chris Jones chain hop. Clayton, Missouri, 2006. Photo by TJ Henderson.
Beyond the simple goal of good vibes, I also had an editing/directorial/format concept in my head that I'd been waiting forever to see used in a mainstream video. I finally realized I'd have to create it myself if I ever wanted to see it. As Aaron wrote in an email to me, "I really liked how the music kind of took a back seat to the riding/background noise in a lot of that; not sure if that was your intention but it was definitely rad."
The sound was very intentional, and I'm psyched that Aaron noticed.
I recall watching some snowboard movie that was all shot on 16mm film. The cinematography was beautiful, but the only audio was the musical soundtrack. Then there would be a couple of 3ccd video clips mixed in, and those shots would have sound, and I would get a sudden surge of adrenaline at how comparatively real those moments felt.
Another time, Terry Gross was interviewing the director of The Bourne Ultimatum, and he talked about the work of the sound engineer. He described how important it was for the different international shooting locations to have their own distinct atmospheric sound character: how does a gunshot sound different, say, reverberating through crisp, empty, arctic air, versus through muggy jungle tropics, versus through angular, concrete cityscape? Sort of like thinking about the warm and cold tones that you have to deal with when color-correcting.
Those two experiences (the snowboard video and the interview) altered my awareness of sound, and when I started editing the video, I was thrilled by the raw aural textures of our bike riding footage. For a time, I even fantasized about making a video with no music whatsoever. But I figured that kind of conceptual art project would require a professional level of riding and some serious video-making clout in order to make sense. I think All Day did something similar for its intro--an extended montage of night-time lines, one clip from each of the Animal team riders. Really great, really well done. Not available on Youtube, that I'm aware of...
Since I didn't think I could pull off a video without music, I opted for tracks that were mostly pretty mellow, mostly without words--more like a film score than a music video, maybe. And I'm satisfied with the result.
So, when Aaron of NoBikes describes bmx is cute as "different," I hope people don't take it as a euphamism for "weak." And I don't believe in trying to be different for the sake of being different. We just made the video we wanted to make, a video that (I hope) represents bike riding authentically.
Thanks, Aaron. Glad you found it worthwhile.
the humble bmx is cute trailer:
St Louis, 2006. Photo by Atika Piff. The sub rail has since vanished.
My main goal with the project was to create a video with an authentic vibe that would not give the viewer a chance to get bored. From watching a million bike videos over the years (and a million skate, snowboard, inline, and motocross vids, too), I'd come to the conclusion that the videos with the most lasting appeal were not necessarily those with the most advanced riding and definitely not those that portrayed riders as thrillseeking rockstars.
My personal favorites showcase the personalities of the riders and what they put into their riding, not just their tricks set to music. Sometimes a rider's strong personality seems to be revealed through his riding, as with Steven Hamilton, Ralph Sinisi, Mike Aitken, Troy McMurray, Ian Schwartz, Jim Cielincki, Bob Scerbo, Vic Ayala, Jeremy Davis, Jimmy Levan, Lino, Charlie Crumlish, the Enns, or Taj, to name but a few. (It's no coincidence that these are all guys I feel I could get along with outside of bike riding.)
Other times, it's achieved through the tasteful choices of filmers and editors. I can't, for the life of me, fathom why, in 2008, a producer would choose to include footage of a rider flipping off the camera. It's not merely lame--it's a fake gesture that, in my opinion, reveals the rider's discomfort in front of the camera. And I think those moments make the viewer uncomfortable and ruin the possibility of a good vibe. (More rambling thoughts on flipping the bird in this old blog post from 2006.) That Aaron would say our video has an "excellent vibe" means the world to me.
Chris Jones chain hop. Clayton, Missouri, 2006. Photo by TJ Henderson.
Beyond the simple goal of good vibes, I also had an editing/directorial/format concept in my head that I'd been waiting forever to see used in a mainstream video. I finally realized I'd have to create it myself if I ever wanted to see it. As Aaron wrote in an email to me, "I really liked how the music kind of took a back seat to the riding/background noise in a lot of that; not sure if that was your intention but it was definitely rad."
The sound was very intentional, and I'm psyched that Aaron noticed.
I recall watching some snowboard movie that was all shot on 16mm film. The cinematography was beautiful, but the only audio was the musical soundtrack. Then there would be a couple of 3ccd video clips mixed in, and those shots would have sound, and I would get a sudden surge of adrenaline at how comparatively real those moments felt.
Another time, Terry Gross was interviewing the director of The Bourne Ultimatum, and he talked about the work of the sound engineer. He described how important it was for the different international shooting locations to have their own distinct atmospheric sound character: how does a gunshot sound different, say, reverberating through crisp, empty, arctic air, versus through muggy jungle tropics, versus through angular, concrete cityscape? Sort of like thinking about the warm and cold tones that you have to deal with when color-correcting.
Those two experiences (the snowboard video and the interview) altered my awareness of sound, and when I started editing the video, I was thrilled by the raw aural textures of our bike riding footage. For a time, I even fantasized about making a video with no music whatsoever. But I figured that kind of conceptual art project would require a professional level of riding and some serious video-making clout in order to make sense. I think All Day did something similar for its intro--an extended montage of night-time lines, one clip from each of the Animal team riders. Really great, really well done. Not available on Youtube, that I'm aware of...
Since I didn't think I could pull off a video without music, I opted for tracks that were mostly pretty mellow, mostly without words--more like a film score than a music video, maybe. And I'm satisfied with the result.
So, when Aaron of NoBikes describes bmx is cute as "different," I hope people don't take it as a euphamism for "weak." And I don't believe in trying to be different for the sake of being different. We just made the video we wanted to make, a video that (I hope) represents bike riding authentically.
Thanks, Aaron. Glad you found it worthwhile.
the humble bmx is cute trailer:
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